
Laggies
2014

2013
PG-13Director
Nicole Holofcener
Runtime
93 minutes
Average Rating
No ratings yetSynopsis
Eva is a divorced soon-to-be empty-nester wondering about her next act. Then she meets Marianne, the embodiment of her perfect self. Armed with a restored outlook on being middle-aged and single, Eva decides to take a chance on her new love interest Albert — a sweet, funny and like-minded man. But things get complicated when Eva discovers that Albert is in fact the dreaded ex–husband of Marianne...
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film operates within a strictly heteronormative framework. It does not feature LGBTQ+ characters or non-cisnormative identities, focusing instead on traditional romantic structures.
Gender Representation
The narrative prioritizes the intellectual agency and emotional lives of its female leads. It subverts traditional hierarchies by portraying women as complex, flawed, and independent.
Racial & Ethnic Diversity
The film maintains a highly homogeneous demographic. It focuses almost exclusively on a white, middle-class, urban population in New York City.
Religious & Cultural Diversity
The story deconstructs the idealized nuclear family by focusing on divorce and reconstructed social circles. It explores the ambiguity of truth and subjective interpersonal honesty.
Disability Representation
There is no significant presence of visible or invisible disabilities. The film does not utilize neurodivergence or chronic illness within its primary character arcs.
Strengths
Areas for Improvement
AI Analysis
Enough Said excels at subverting gendered tropes, offering a sophisticated look at female agency and emotional complexity. By centering the internal lives of Eva and Marianne, the film avoids typical romantic comedy clichés. However, the film is limited by a narrow demographic focus. The lack of racial, LGBTQ+, and disability representation results in a narrative that feels non-intersectional and socially homogeneous. Ultimately, while the character studies are nuanced, the film remains rooted in a specific, white, middle-class urban milieu that lacks broader social diversity.

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