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First We Take Brooklyn

First We Take Brooklyn

Representation Score

5.9/10

Fair

2018

Not Rated

Director

Danny A. Abeckaser

Runtime

90 minutes

Average Rating

No ratings yet

New Showbiz Analysis

First We Take Brooklyn employs the heist genre to examine how systemic friction and economic constraints affect the lives of Black men in 1968. The film successfully centers racial identity and ability to act, presenting criminal activity as a response to structural limitations rather than mere greed. However, the film's scope is narrow, focusing mainly on male relationships and racial issues. This limits the representation of female and LGBTQ+ identities. Overall, the film is a focused exploration of racial and cultural dynamics. It prioritizes a deep examination of power structures and economic exclusion over broad demographic representation.

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Category Breakdown

Does First We Take Brooklyn have LGBTQ+ representation?

Minimal

The film focuses primarily on male relationships and does not include substantial LGBTQ+ characters or critique straight-centered assumptions, limiting the visibility of LGBTQ+ identities.

How does First We Take Brooklyn portray gender?

Limited

The story is dominated by male characters, while female characters are given less prominent roles, confined to supporting positions within a traditionally male-focused narrative.

How racially and ethnically diverse is First We Take Brooklyn?

Excellent

The film features an almost entirely Black cast, highlighting the specific historical context of the Black experience in 1968 and avoiding the perspective that centers white characters.

How does First We Take Brooklyn represent religion and culture?

Excellent

The film critiques Western financial institutions by portraying bank robbery as a reaction to systemic injustice. It questions the sanctity of capitalist systems and traditional legal authority.

Does First We Take Brooklyn include disability representation?

Limited

The film does not significantly address neurodivergence or physical disabilities. Characters are defined by their socioeconomic status and racial identity rather than by their disabilities.

Present on Screen

  • Strong emphasis on racial identity through an almost entirely Black cast.
  • Uses the crime genre effectively to critique systemic inequality and economic mobility.
  • Avoids the 'white gaze' by emphasizing the lived experiences of underrepresented groups.

Limited or Absent

  • Gender diversity is limited, with female characters playing secondary roles.
  • LGBTQ+ identities and structures are not adequately represented or addressed.
  • Neurodivergence and physical disabilities are minimally considered.

Official Synopsis

An ex-felon joins an Israeli crime syndicate in Brooklyn.

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