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Stop the Bitch Campaign

Name: Stop the Bitch Campaign
Director: Kosuke Suzuki
Released: 2001
Duration: 85 min

Representation Score

1.5/10

Minimal

2001

Director

Kosuke Suzuki

Runtime

85 minutes

Average Rating

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New Showbiz Analysis

Stop the Bitch Campaign is a gritty look at social dysfunction and exploitation in Tokyo. The film focuses on the dark side of transactional relationships, particularly the exploitation of teenage girls by men. The narrative structure emphasizes traditional power dynamics, where female sexuality is policed and controlled by male characters. The story does not challenge these hierarchies but instead highlights the consequences of such social structures. Overall, the film lacks depth in exploring diverse identities and social issues, focusing primarily on a narrow, homogeneous perspective.

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Category Breakdown

Does Stop the Bitch Campaign have LGBTQ+ representation?

Limited

The film does not include any LGBTQ+ characters or explore non-cisgender identities.

How does Stop the Bitch Campaign portray gender?

Limited

The movie reinforces harmful gender roles by objectifying young women and using their ability to act to support patriarchal goals.

How racially and ethnically diverse is Stop the Bitch Campaign?

Minimal

Set in Tokyo, the film focuses on a homogeneous group with no evidence of racial or ethnic diversity.

How does Stop the Bitch Campaign represent religion and culture?

Limited

The story presents a traditionalist view of Japanese salaryman culture and underground economies, focusing on moralistic themes.

Does Stop the Bitch Campaign include disability representation?

Minimal

The film does not feature any characters with visible or invisible disabilities and does not use disability as a narrative device.

Present on Screen

Provides a critical view of Japanese corporate and underground social structures.

Limited or Absent

Does not include LGBTQ+ characters or explore non-cisgender identities.
Reinforces harmful gender roles through the objectification and control of female characters.
Maintains a homogeneous demographic with no visible racial or ethnic diversity.
Does not include characters with disabilities or use disability as a narrative tool.

Official Synopsis

Tokyo’s Valentine Call is a special kind of phone club. Older salarymen pay to wait for calls from teenage girls, discreet meetings are arranged, and handfuls of yen are exchanged for a quick session of enjo kosai, or paid sex with a high school girl. Plenty of girls are doing it—some to make money for fancy, fashionable clothes and accessories, others to set a trap to rob and brutalize the old perverts. But the Valentine Call staff, horny young Ogisu and the vaguely sinister, makeup-coated Mr. Kuni, have a nasty plan of their own. Listening in on the enjo kosai calls, they conspire to trick the girls into giving them free sex. Mr. Kuni even has a twisted concept behind this scheme. He calls it enboku, his campaign to humiliate the teenage girls, drive them away from prostitution and purify Japan.

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