You are here:

Still Not Quite Human

Name: Still Not Quite Human
Director: Eric Luke
Released: 1992
Duration: 84 min

Representation Score

1.9/10

Minimal

1992

Director

Eric Luke

Runtime

84 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Still Not Quite Human functions as a conventional piece of early-90s family science fiction. It relies heavily on the 'outsider' cliché to explore identity, but does so within very narrow, traditional parameters. The film prioritizes established social norms over any meaningful subversion of hierarchy. The production lacks multi-layered depth, presenting a world that feels culturally and racially homogeneous. While the protagonist's struggle with his non-human nature provides a central hook, the film avoids using this metaphor to engage with real-world social complexities like race or disability. Ultimately, the film serves as a time capsule of its era, favoring stable, middle-class Western values and traditional character archetypes over diverse or challenging perspectives.

Watch this, not that →

Category Breakdown

Does Still Not Quite Human have LGBTQ+ representation?

Minimal

The film does not include any visible LGBTQ+ characters or non-cisgender identities. The story focuses entirely on the protagonist's biological identity crisis without exploring queer themes.

How does Still Not Quite Human portray gender?

Limited

Female characters play conventional supporting roles rather than driving the plot through significant action. The film reinforces established gender hierarchies and mid-century domestic archetypes.

How racially and ethnically diverse is Still Not Quite Human?

Limited

The cast is relatively homogeneous, reflecting a traditional, Anglo-centric social framework. There is no evidence of intentional color-blind casting or diverse ethnic representation.

How does Still Not Quite Human represent religion and culture?

Limited

The narrative emphasizes traditional Western values and middle-class suburban life. It avoids critiques of institutions, resolving conflicts through standard heroic clichés.

Does Still Not Quite Human include disability representation?

Minimal

There is no significant depiction of neurodivergence or physical disability. The protagonist's 'otherness' is framed through science fiction rather than lived human disability.

Present on Screen

Uses the science-fiction 'outsider' cliché to explore themes of identity and belonging.
Provides a clear, accessible narrative structure suitable for family-oriented science fiction.

Limited or Absent

Lacks representation of LGBTQ+ identities or non-cisgender gender expressions.
Fails to challenge traditional gender roles or provide female characters who play a significant role in driving the story.
Presents a homogeneous cast that lacks racial and ethnic diversity.
Misses opportunities to use the science-fiction premise as a metaphor for disability or neurodivergence.

Official Synopsis

In the final film of the series, Chip and his "father" attend a robotics convention. Here, Dr. Carson is kidnapped and replaced by an android. Can Chip and his newfound friends save Dr. Carson from a dangerous competitor?

How are these scores produced? →