Inhabitants
1970

2019
Director
Elsa Kremser, Levin Peter
Runtime
91 minutes
Average Rating
No ratings yetSynopsis
Laika, a stray dog, was the first living being to be sent into space and thus to a certain death. A legend says that she returned to Earth as a ghost and still roams the streets of Moscow alongside her free-drifting descendants. While shooting this film, the directors little by little realised that they knew the street dogs only as part of our human world; they have never looked at humans as a part of the dogs’ world.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The documentary focuses on animal behavior and urban ecology. There are no LGBTQ+ character arcs or gender-nonconforming human narratives present.
Gender Representation
The film's subject matter is non-human. It does not engage with the subversion of human gender hierarchies or traditional masculinity and femininity.
Racial & Ethnic Diversity
The film provides a localized view of Moscow, avoiding a Western-centric tourist gaze. It centers street dogs within a specific Russian landscape without explicitly engaging with human racial intersectionality.
Religious & Cultural Diversity
The narrative critiques Western-style scientific progress and state-driven exploration. It promotes ecological relativism by framing the human world as an intrusive force rather than a benevolent one.
Disability Representation
The film does not address human neurodivergence or physical disabilities as a primary thematic element.
Strengths
Areas for Improvement
AI Analysis
Space Dogs shifts the cinematic gaze away from human-centric storytelling to focus on the lived experiences of Moscow's street dogs. By centering canine perspectives, the film disrupts traditional hierarchies that place human civilization at the apex of environmental importance. The work functions as a critique of human intervention, using the legend of Laika to highlight the systemic consequences of scientific advancement. It moves beyond seeing animals as mere symbols of neglect, treating them instead as central actors in their own urban ecology. While the film lacks traditional human demographic representation, it excels in progressive cultural values. It challenges the sanctity of human institutions and explores a post-humanist morality through its observational lens.
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