The film lacks explicit evidence of queer identities. While the hyper-realistic style avoids mainstream heteronormative polish, no non-cisnormative characters are confirmed.

The story centers on a male-dominated landscape involving the cocaine trade and recovery. There is potential for subverting masculine archetypes, but female agency remains unconfirmed.

The narrative prioritizes a non-Anglo-Saxon perspective by centering on the lived experiences of Colombian citizens in Medellín. It effectively de-centers Western-centric crime tropes.

The film engages with the complexities of survival within a fractured state. It focuses on the remnants of the cartel era and subjective morality.

Addiction serves as a depiction of a chronic mental health and behavioral condition. The film explores neurobiological and psychological agency through the protagonist's struggle.