The documentary focuses entirely on a historical crime and the haunting of a specific location. There is no evidence of LGBTQ+ characters or non-cisnormative identities present in the narrative.

The film centers on the events surrounding a crime and a house. It lacks characters that demonstrate agency or challenge traditional masculine and feminine roles.

The narrative focuses on a localized American crime. There is no information regarding a diverse cast of interviewees or the use of race-bent casting.

The film operates within traditional Western true-crime and horror frameworks. It relies on moral binaries of good and evil rather than critiquing institutional oppression.

The production does not include neurodivergent individuals or characters with physical disabilities. Disability is not utilized as a central narrative element.