The film centers the evolving romantic and intimate bond between Gaspard and Stokar. This same-sex relationship serves as the primary driver of the character arcs rather than a peripheral subplot.

The narrative focuses intensely on the internal experiences of the male protagonists. Female characters function mostly as satellites to the central male dynamic without subverting traditional hierarchies.

The cast is relatively homogeneous, focusing on a white, bohemian, intellectual middle class. There is a lack of intersectional casting or diverse ethnic identities within this localized setting.

The story embraces sensory relativism through the characters' shared anosmia. It portrays an anti-establishment lifestyle that prioritizes personal exploration over conventional societal or professional norms.

The protagonists' shared inability to smell serves as a metaphor for sensory disability. The film treats this condition as a fundamental identity rather than a hurdle to be overcome.