Water Like a Black Buffalo
1970
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Representation score: 4.2 out of 10
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Po
Representation Score
8.1/10
Excellent
2022
Director
Andrea Segre
Runtime
75 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Andrea Segre’s documentary uses archival footage to bridge the gap between historical records and the lived trauma of the 1951 Po river flood. It examines how environmental catastrophe intersects with class and regional identity. The film challenges sanitized versions of history by emphasizing the socio-economic precarity of the Polesine region. By focusing on the ability to act of those excluded and the instability of the status quo, it offers a sophisticated meditation on collective memory. While the historical context limits racial and LGBTQ+ diversity, the film explores systemic vulnerabilities. It shifts the focus from traditional hierarchies to the shared human experience of survival.
Category Breakdown
Does Po have LGBTQ+ representation?
The film focuses on communal survival during a historical natural disaster. While it doesn't include explicit LGBTQ narratives, it avoids reinforcing assumptions that everyone is straight or cisgender.
How does Po portray gender?
The narrative disrupts traditional gender roles by highlighting the role of women and children. Gendered roles blur during the crisis, presenting a multifaceted view of survival.
How racially and ethnically diverse is Po?
The subjects are largely homogeneous due to the 1951 rural Italian setting. However, the film provides a nuanced look at class-based exclusion within this specific landscape.
How does Po represent religion and culture?
The film prioritizes lived experiences over official state narratives. It centers the voices of survivors to provide a perspective that values the displaced over institutional stability.
Does Po include disability representation?
The documentary captures the physical vulnerability and sensory trauma of a population in crisis. It presents the physical toll of the flood as a raw reality of human fragility.
Present on Screen
- Challenges traditional historical perspectives through sophisticated archival use.
- Highlights the role of women and children during the displacement.
- Provides a nuanced examination of socio-economic exclusion and class identity.
Limited or Absent
- Lacks explicit representation of LGBTQ+ identities or narratives.
- The historical setting results in a largely homogeneous racial landscape.
- Does not center disability as a primary narrative theme.
Official Synopsis
November 14, 1951, the left bank of the Po river a few hundred meters from the Padua-Bologna railway bridge breaks. The tide invades the Polesine's lands in a few minutes, one of the poorest regions in Italy at the time. Thousands people, men, women and children flee while the water remains stagnant for months between the houses and the countryside. Today, 70 years later, the children of that time remember those months immortalized by the films perfectly preserved in the Istituto Luce's archives.
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