Me, Them and Lara
2010
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Diversity score: 4.8 out of 10
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Maktub
2017
PG-13Director
Oded Raz
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
Steve & Chuma , two criminals are the sole survivors of a terrorist attack at a restaurant in Jerusalem. They decide to change their ways and become flesh and blood angels. They go on a journey of wish fulfilment for people who write requests on paper and put between the sacred stones of the Wailing Wall.
Where to Watch
Diversity & Representation
Overall Score
4.4/10
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of LGBTQ+ characters or non-cisnormative identities. The narrative focus remains strictly on the spiritual transition of the two central male protagonists.
Gender Representation
Agency is concentrated in the two male leads, Steve and Chuma. There is no indication of female characters driving the plot or subverting traditional gender hierarchies.
Racial & Ethnic Diversity
The Jerusalem setting necessitates a level of ethnic diversity inherent to the region. Characters navigate a landscape shaped by complex religious and cultural identities.
Religious & Cultural Diversity
The story engages with religious tradition through the lens of wish fulfillment at the Wailing Wall. However, it lacks a specific secularist or anti-Western critique.
Disability Representation
There is no mention of characters possessing visible or invisible disabilities. No data exists to assess how disability is portrayed within the narrative.
Strengths
- The Jerusalem setting provides an inherent level of ethnic and cultural intersectionality.
- The narrative engages with profound religious traditions and sacred sites like the Wailing Wall.
Areas for Improvement
- The plot lacks agency for female characters, centering almost entirely on male protagonists.
- There is no evidence of LGBTQ+ representation or narratives critiquing heteronormativity.
- The film lacks systemic critique or the deconstruction of traditional social hierarchies.
AI Analysis
Maktub follows a traditional redemption arc centered on two male criminals attempting to become 'angels' through spiritual wish fulfillment. While the Jerusalem setting provides a natural backdrop for ethnic and religious intersectionality, the narrative structure remains conventional. The film lacks intentional subversion of social hierarchies or progressive identity politics. The focus on a male-driven plot and the absence of diverse identity markers result in a standard dramatic presentation. Ultimately, the film relies on its geographic context for cultural depth rather than explicit intersectional complexity.
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