The film lacks visible queer presence or non-cisnormative gender identities. It adheres to traditional genre frameworks without narratives that critique heteronormativity.

Human elements follow traditional genre archetypes within a wartime context. There is no significant evidence of subverting gender hierarchies or portraying masculinity in non-traditional ways.

While the plot opposes the Third Reich, the film focuses on political ideologies rather than intersectional casting. Diverse characters with high agency are not confirmed.

The story utilizes a standard good-versus-evil framework common to wartime horror. It does not prioritize the deconstruction of Western institutions or secularism.

The puppets may serve as metaphors for bodily autonomy, but there is no evidence of characters with disabilities portrayed with agency. Nuanced neurodivergent narratives are absent.