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Rev. S.S. Jones Home Movie: Yale Collection Film 24

Rev. S.S. Jones Home Movie: Yale Collection Film 24

Representation Score

1.9/10

Minimal

1928

Director

Rev. Solomon Sir Jones

Runtime

18 minutes

Average Rating

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New Showbiz Analysis

This 1928 home movie serves as a valuable historical record of Oklahoma and Missouri. Its primary significance lies in its incidental documentation of the social and physical landscapes of the late 1920s. The film's diversity is shaped by its creator, Reverend Solomon Sir Jones, a Black clergyman. His unique perspective disrupts the typical white-dominated archival records of the time. However, the non-narrative format restricts deeper representation. Without intentional character development or scripted themes, the film does not address gender, disability, or queer identities more thoroughly.

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Category Breakdown

Does Rev. S.S. Jones Home Movie: Yale Collection Film 24 have LGBTQ+ representation?

Minimal

The film does not include any explicit references to LGBTQ+ identities. The focus on civic and domestic settings does not provide a framework for showing non-straight relationships.

How does Rev. S.S. Jones Home Movie: Yale Collection Film 24 portray gender?

Limited

Gender representation is limited due to the film's emphasis on infrastructure and architecture. Women likely play roles in social scenes, but their specific impact or role subversion is not clearly shown.

How racially and ethnically diverse is Rev. S.S. Jones Home Movie: Yale Collection Film 24?

Fair

The film highlights racial diversity through the perspective of its Black filmmaker, Reverend Solomon Sir Jones. This provides a crucial contrast to the era's predominantly white media landscape.

How does Rev. S.S. Jones Home Movie: Yale Collection Film 24 represent religion and culture?

Fair

The film captures early 20th-century Western social structures and institutions. The viewpoint of a religious leader suggests a framework rooted in traditional community and spiritual values.

Does Rev. S.S. Jones Home Movie: Yale Collection Film 24 include disability representation?

Minimal

There is no evident representation of individuals with physical or neurodivergent disabilities. These subjects are not a focus within the captured public spaces.

Present on Screen

  • The Black filmmaker provides a significant and rare historical perspective for 1928.
  • The footage serves as an essential primary source for early 20th-century American landscapes.

Limited or Absent

  • The non-narrative format lacks intentional character development or diverse storytelling.
  • There is no visible representation of disability or explicit LGBTQ+ identities.

Official Synopsis

Schools, residences, stores and other locations in Lawton, OK; Wetumka, OK; Muskogee, OK; Ardmore, OK; East Ardmore, OK; Cushing, OK; Lima, OK; St. Louis MO;

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