You are here:

Nothing but Trouble

Name: Nothing but Trouble
Director: Dan Aykroyd
Released: 1991
Duration: 94 min

Representation Score

3.7/10

Limited

1991

PG-13

Director

Dan Aykroyd

Runtime

94 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Nothing But Trouble is a work of postmodern surrealism that emphasizes aesthetic chaos over demographic diversity. The film focuses on a grotesque vision of social breakdown rather than exploring multiple aspects of identity. While the narrative challenges the sanctity of traditional authority, it fails to provide meaningful representation for underrepresented identities. Characters are often subjects of the grotesque rather than empowered individuals.

Watch this, not that →

Category Breakdown

Does Nothing but Trouble have LGBTQ+ representation?

Minimal

The film does not include any characters or storylines that explore LGBTQ+ identities. It follows a traditional comedic structure that doesn't address non-straight or non-cisgender identities.

How does Nothing but Trouble portray gender?

Limited

Gender roles in the film follow typical 1990s conventions. Diane Lightson, a professional lawyer, mainly serves as a catalyst for the male protagonist’s journey.

How racially and ethnically diverse is Nothing but Trouble?

Limited

The cast is mostly white, and the narrative does not highlight diverse ethnic perspectives. The setting is surreal and abstract, rather than a space for ethnic exploration.

How does Nothing but Trouble represent religion and culture?

Fair

The film criticizes social order through postmodern absurdity and surreal horror. Legal structures are portrayed as corrupt and sadistic, challenging traditional authority.

Does Nothing but Trouble include disability representation?

Minimal

Physical deformities are used as tools for body horror, functioning as visual spectacles rather than meaningful representations of disabilities.

Present on Screen

The film effectively deconstructs institutional stability by portraying the judiciary as corrupt and irrational.
It uses postmodern absurdity to critique the concept of a stable, just social order.

Limited or Absent

The film lacks demographic diversity, resulting in a predominantly white and homogeneous cast.
Physical deformities are used as comedic or horrific spectacles rather than meaningful representations of disabilities.
Gender roles rely on traditional archetypes, with female characters often serving as mere catalysts for male protagonists.

Official Synopsis

While attempting to seduce gorgeous lawyer Diane Lightson, wealthy gadabout Chris Thorne agrees to drive her to Atlantic City, N.J. But, when some reckless driving draws the attention of a deeply critical cop, they and the flamboyant "Brazillionaires" who tagged along end up in the court of a grotesque and vengeful judge, who has a special vendetta against the wealthy and erudite.

How are these scores produced? →