Starquest II
1996
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Diversity score: 3.2 out of 10
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Beyond the Rising Moon
1988
PGDirector
Philip J. Cook
Runtime
84 minutes
Average Rating
No ratings yetSynopsis
An alien spaceship is being sought by various factions on Earth. A female cyborg and a rogue trader team up to stop evil forces from taking over the ship.
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Diversity & Representation
Overall Score
2.8/10
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks any presence of queer themes or identities. There is no evidence of LGBTQ+ characters or non-cisnormative gender identities within the narrative.
Gender Representation
A female cyborg serves as a central figure, offering a departure from traditional gender roles. However, it remains unclear if she possesses true agency or simply functions as a companion to the male lead.
Racial & Ethnic Diversity
The story features a clash between white settlers and indigenous populations. While Native American characters are included, the film appears to follow standard Western genre tropes rather than deconstructing colonial frameworks.
Religious & Cultural Diversity
The narrative operates within conventional Western genre boundaries. It lacks explicit critiques of Western institutions, capitalism, or religious morality, focusing instead on individualist heroics.
Disability Representation
There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities in the primary cast or plot.
Strengths
- The inclusion of a female cyborg provides a notable departure from traditional gender roles in science fiction.
- The narrative incorporates indigenous populations, introducing racial conflict and representation into the setting.
Areas for Improvement
- The film lacks queer representation and any visible exploration of LGBTQ+ identities.
- Representation of people with disabilities is entirely absent from the primary plot and cast.
- The story relies on standard Western tropes rather than offering a deep critique of settler-colonialism or institutional power.
AI Analysis
Beyond the Rising Moon functions primarily as a genre-blending thriller that adheres to the narrative conventions of the late 1980s. While it introduces interesting elements like a female cyborg and indigenous conflict, these components do not necessarily translate into a progressive or subversive experience. The film provides moderate inclusion through its diverse cast archetypes, yet it fails to move beyond standard tropes. It lacks the intersectional agency or systemic critique required to challenge the traditional frameworks of the sci-fi and Western genres.
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