
The Devil's Hour
2016

Representation Score
Limited
2025
NRDirector
David Midell
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Ritual (2025) adheres closely to traditional Catholic horror clichés, leaving little room for progressive social commentary. The narrative structure supports traditional hierarchies of gender, race, and religion, offering no challenge to the status quo. By framing the conflict through established theological lenses, the film reinforces conservative values rather than challenging them. The casting and character dynamics further solidify this traditionalist approach. Male characters drive the plot through decisive actions, while the female lead serves as a passive object to be saved. This dynamic, combined with a homogeneous white cast, creates a narrow perspective that excludes diverse voices and experiences. Ultimately, the film’s alignment with orthodox ideology and lack of nuanced representation result in a low diversity score. It presents a monolithic worldview that validates existing power structures without nuance, critique, or alternative spiritualities. The horror stems from supernatural evil, not social complexity, leaving no space for meaningful representation.
Category Breakdown
The film does not include any visible LGBTQ+ characters and presents a worldview centered around male priesthood and female possession. The narrative reinforces traditional views on gender and sexuality without any critique.
Gender dynamics rely on traditional patriarchal structures, with male priests holding all spiritual authority. The female protagonist is a passive victim lacking control over her situation, reinforcing stereotypes of male competence and female vulnerability in crisis situations.
The cast is predominantly white, reflecting the 1928 Iowa setting but offering no challenge to racial norms. The narrative remains focused on a white Catholic community, with no characters of color or engagement with racial dynamics.
The film firmly roots itself in traditional Western Christian frameworks, portraying the Catholic Church as the sole source of order. It validates conservative family structures and religious devotion, presenting a clear distinction between faith and evil.
The protagonist’s condition is framed as demonic possession rather than a mental illness, using suffering as a horror spectacle. This approach lacks nuanced representation of disabilities, reinforcing stigmatized views of distress as an external evil to be expelled.
Present on Screen
Limited or Absent
Official Synopsis
Two priests, one in crisis with his faith and the other confronting a turbulent past, must overcome their differences to perform a risky exorcism.

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