
Deliver Us from Evil
2014

2018
RDirector
Clive Tonge
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
Criminal psychologist Kate Fuller is assigned to the murder of a man who has seemingly been strangled in his sleep by his wife and the only witness is their eight-year-old daughter, Sophie. As Kate digs into the mystery of an ancient demon which kills people in their sleep, she experiences the same petrifying symptoms as all previous victims and spirals through a chilling nightmare to save herself and Sophie before she dares fall asleep again.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit LGBTQ+ characters or non-cisnormative identities. The central conflict focuses on a traditional marital unit between a husband and wife.
Gender Representation
Kate Fuller serves as a professional female lead with intellectual authority. However, the plot often positions her as a subject of terror within standard horror tropes.
Racial & Ethnic Diversity
There is no evidence of a diverse or non-Anglo-Saxon cast. The narrative suggests a localized and potentially homogeneous setting centered on a specific domestic crime.
Religious & Cultural Diversity
The story relies on established mythological tropes involving a demon. It does not appear to deconstruct Western institutions or offer secularist-driven narratives.
Disability Representation
The protagonist's symptoms function as supernatural horror mechanics. There is no nuanced exploration of neurodivergence or chronic illness beyond these plot-driven elements.
Strengths
Areas for Improvement
AI Analysis
Mara operates primarily as a genre-driven thriller that prioritizes psychological terror over social subversion. While the film provides a female protagonist in a position of professional authority, the narrative structure remains tethered to conventional horror archetypes. The film lacks significant intersectional depth, offering little evidence of racial, cultural, or LGBTQ+ diversity. The themes focus on a singular psychological investigation and traditional domestic frameworks rather than challenging systemic norms. Ultimately, the character agency is limited to the protagonist's struggle against a supernatural affliction, leaving the broader social landscape largely unexamined.

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