
Small Town Wisconsin
2020

2015
Director
Johannes Fabrick
Runtime
94 minutes
Average Rating
No ratings yetSynopsis
No job is too absurd for Jakob: in a glitter suit with stick-on sideburns, he sings Elvis Presley songs for crooning old ladies - not exactly the musical Olympics, but he needs the money. Now Jakob has the job of transporting a valuable stud ram to Norway by car, because the ram doesn't like flying. Just before he sets off, Jakob's long-forgotten lover Julia calls and announces the arrival of her-their-12-year-old daughter May. The stubborn teenager has taken it into her head to visit the father she has never met. So May has to come along to Norway too. However, with an angrily bleating ram in the back and an arrogant 'goat' in the passenger seat, Jakob has much more than he can cope with.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film explores non-traditional romantic histories through the connection between Jakob and Julia. While it lacks explicit queer-coded subtext, it moves away from the standard nuclear family model.
Gender Representation
Jakob’s character subverts the competent patriarch trope by placing him in a position of vulnerability. His struggle to manage chaos suggests masculinity is something to be negotiated rather than asserted.
Racial & Ethnic Diversity
The narrative appears to focus on a homogeneous social environment. There is no evidence of diverse ethnic perspectives or intentional racial blending within the primary character arc.
Religious & Cultural Diversity
The story prioritizes individual agency and the deconstruction of parental authority through May's character. The journey to Norway serves as a vehicle for exploring situational ethics and shifting social roles.
Disability Representation
There is no discernible evidence regarding the inclusion of characters with physical or neurodivergent disabilities in the narrative.
Strengths
Areas for Improvement
AI Analysis
Kleine Ziege, sturer Bock is a character-driven road movie that finds its strength in deconstructing traditional social roles. By placing a protagonist in a state of professional and domestic absurdity, the film avoids the typical 'heroic provider' archetype. However, the film's scope is limited in terms of broad social representation. It lacks significant racial or LGBTQ+ diversity, focusing instead on a relatively homogeneous social landscape. Ultimately, the film's progressive value lies in its intimate exploration of unconventional family structures and the breakdown of conventional masculine competence.

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