
Barbecue
2017

Representation Score
Minimal
2016
Director
Gastón Duprat, Mariano Cohn
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
All About Asado primarily serves as a critique of societal norms and rituals rather than focusing on demographic representation. While it scores low in traditional measures of diversity, such as race and gender, it finds progressive value through its incisive cultural commentary. The film employs satire to expose the superficiality and narcissism inherent in the characters' socioeconomic environment. It dismantles the perceived sanctity of traditional social rituals. Overall, the work prioritizes the deconstruction of class-based hierarchies over the inclusion of diverse identities.
Category Breakdown
The film centers on a social circle where everyone is assumed to be straight and cisgender. There is no evidence of same-sex relationships or non-binary gender expressions among the main characters.
The story focuses on male-driven social competition and the psychological pressures faced by hosts. It does not give much importance to female characters or challenge traditional gender roles.
The film portrays a predominantly white, upper-middle-class Argentine social group. It does not include diverse casting to highlight different ethnic backgrounds.
The film uses satire to criticize Western consumerism and the performative nature of social status. It presents the pursuit of status as a shallow endeavor.
The film does not focus on visible or invisible disabilities and does not use disability as a central theme or narrative device.
Present on Screen
Limited or Absent
Official Synopsis
All About Asado is a trip into the culinary heart of Argentina. Asado, the tradition of grilled meat, is a food and also a ritual. It is primitive and modern, wild and sophisticated, an art and a science. Few phenomena reveal the essential characteristics of Argentina’s national identity with more originality and precision. Equal parts road-movie, documentary and fiction, Gastón Duprat and Mariano Cohn’s playful film delves into the almost sacred tradition of asado, using a sharp and irreverent gaze to explore the country’s meaty fixation.

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