
The Resurrection of Jake The Snake
2015

2019
NRDirector
Fulvio Cecere
Runtime
125 minutes
Average Rating
No ratings yetSynopsis
Starring former world champions Bret Hart and Billy Graham, 350 Days is a true look behind the curtains at the grueling life they led on the road 350 days a year and the effect that lifestyle had on their marriages, family, physical and mental health. Featuring Greg Valentine, Tito Santana, Paul “Mr. Wonderful” Orndorff, Abdullah The Butcher, Wendi Richter, Bill Eadie, Nikolai Volkoff, Stan Hansen, Angelo Mosca, Lex Luger, and more, this film also includes some of the last interviews ever done with George “The Animal” Steele, Jimmy “Superfly” Snuka, Ox Baker, The Wolfman, Don Fargo, and 99-year-old Angelo Savoldi.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on the historical professional wrestling circuit and the personal lives of male athletes. There is no evidence of queer themes or non-cisnormative identities.
Gender Representation
While female figures like Wendi Richter appear, the narrative remains centered on a male-dominated industry hierarchy. It explores domestic impacts without centering female agency or subverting gender norms.
Racial & Ethnic Diversity
The cast includes international performers like Tito Santana and Nikolai Volkoff. However, the film acts as a historical record of industry archetypes rather than a critique of racial hierarchies.
Religious & Cultural Diversity
The documentary examines the tension between professional duty and the nuclear family. It focuses on personal struggles within a traditional vocational framework rather than critiquing broader institutions.
Disability Representation
The film provides a nuanced look at chronic health conditions and the psychological toll of the profession. It avoids tropes by focusing on the systemic, occupational causes of physical disability.
Strengths
Areas for Improvement
AI Analysis
350 Days serves primarily as a biographical archive of the professional wrestling industry. It succeeds in humanizing legendary figures by deconstructing the physical and mental costs of their itinerant lifestyle. This focus on the long-term physiological damage provides a rare, realistic look at occupational disability. However, the film lacks intentionality regarding intersectional representation. The narrative is confined to a traditionalist subculture, resulting in a lack of LGBTQ+ visibility and a heavy reliance on established masculine-centric storytelling. While it captures a diverse roster of historical performers, it does not actively challenge the social hierarchies of its era.

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