
I'm No Longer Here
2019

2019
TV-14Director
Andrew Morgan
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Ana Alvarez is a single mother from Nicaragua living in Northern Indiana with her teenage daughter, Izzy. When a routine check in leads to a deportation order, life as Ana knows it ends. The timing could not be worse as Izzy has just been accepted to Indiana University. Faced with an impossible reality of a lifetime away from her daughter, Ana decides to risk everything in a last chance effort to leave Izzy’s tuition paid before her time runs out.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film focuses on historical and sociological musical evolution. It lacks an explicit focus on LGBTQ+ identities within the presented narratives, maintaining a neutral stance.
Gender Representation
The documentary features both male and female contributors to musical traditions. It acknowledges the essential roles women played in developing gospel, blues, and soul.
Racial & Ethnic Diversity
The film centers the Black experience as its primary subject. It examines the intersection of artistry and systemic struggles like slavery and Jim Crow.
Religious & Cultural Diversity
The narrative critiques traditional Western power structures and explores how the Black church shaped musical expression. It prioritizes lived realities over sanitized histories.
Disability Representation
There is no significant or central focus on visible or invisible disabilities. The primary lens remains racial and cultural rather than focused on neurodivergence.
Strengths
Areas for Improvement
AI Analysis
Long Gone By is a sophisticated documentary that reframes American musical history through a Black lens. It successfully deconstructs the relationship between systemic oppression and cultural production, presenting music as a tool of resilience. The film excels at challenging Anglo-centric histories by centering Black agency. It moves beyond mere celebration to examine how structural inequities shaped the evolution of sound from spirituals to hip-hop. While the film provides profound engagement with racial identity, it offers less depth regarding LGBTQ+ or disability-specific narratives. The scope remains firmly rooted in the sociological and historical evolution of musical genres.

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