Crime Is Our Business

The film follows traditional comedic structures without showing non-straight relationships or gender expressions. It stays within a conventional social framework that doesn't challenge the idea that everyone is straight or cisgender.

The story does not significantly challenge traditional gender hierarchies. Women do not show a pattern of superior intellect or ability to act that disrupts established masculine leadership roles.

The film features a relatively homogeneous cast typical of mid-2000s French domestic comedies. There is no evidence of diverse casting used to challenge historical norms or create non-white majority casts.

The film avoids deep engagement with systemic critiques of Western institutions. It uses crime as a whimsical plot device rather than framing traditional structures like family or authority as corrupt.

There are no visible or invisible disabilities portrayed in the film. The movie does not use disability as a central narrative arc or a character-driven element.