The anthology lacks explicit queer romantic arcs or centralized narratives. Instead, it uses avant-garde animation and surrealist designs to present identities that exist outside the traditional binary.

The film deconstructs the human form through non-human entities and surrealist archetypes. This approach renders traditional masculine leadership or submissive femininity irrelevant within its chaotic, dreamlike environments.

A diverse array of character designs creates a visual collage that avoids a homogeneous Western norm. Varied animation styles allow a broad spectrum of ethnic and non-human identities to appear.

The work excels by depicting landscapes where traditional Western institutions like organized religion and capitalism are decayed or absent. It prioritizes existential themes over singular moralities.

Physical or neurodivergent traits are often subsumed into the broader 'otherness' of the animated forms. Because characters are highly abstract, disability is difficult to categorize within traditional frameworks.