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The Virgo, the Taurus and the Capricorn

Name: The Virgo, the Taurus and the Capricorn
Director: Luciano Martino
Released: 1977
Duration: 92 min

Representation Score

4.3/10

Fair

1977

Director

Luciano Martino

Runtime

92 minutes

Average Rating

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New Showbiz Analysis

The film operates within the highly sexualized framework of 1970s Italian comedy, focusing on the disruption of domestic stability. While it lacks racial and LGBTQ+ diversity, it offers a notable subversion of gendered power dynamics. By centering the plot on a woman's proactive retaliation against marital infidelity, the film challenges the era's conventional depiction of the wronged wife. This shift toward female empowerment provides a layer of social liberation despite the film's narrow demographic scope. Ultimately, the work rejects conservative moralism in favor of a more chaotic, liberated social landscape. It trades institutionalized marital vows for a narrative driven by personal desire and retribution.

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Category Breakdown

Does The Virgo, the Taurus and the Capricorn have LGBTQ+ representation?

Limited

The story centers on heterosexual relationships and infidelity, with no representation of queer identities or non-cisgender narratives.

How does The Virgo, the Taurus and the Capricorn portray gender?

Good

Gioia transforms from a passive victim to an active participant in her own sexual vengeance after her husband's infidelity.

How racially and ethnically diverse is The Virgo, the Taurus and the Capricorn?

Limited

The film showcases a homogeneous Mediterranean population typical of Italian comedies, with no representation of racial diversity or non-white actors.

How does The Virgo, the Taurus and the Capricorn represent religion and culture?

Good

The plot questions traditional family values through themes of infidelity and revenge, favoring personal satisfaction over strict moral codes.

Does The Virgo, the Taurus and the Capricorn include disability representation?

Minimal

There is no mention of characters with physical or neurodivergent disabilities in the narrative.

Present on Screen

Centers the plot on female empowerment and sexual retribution, challenging traditional gender roles.
Subverts conservative moralism by depicting marriage as a site of dysfunction rather than sanctity.
Offers a more liberated social landscape through themes of sexual liberation and personal satisfaction.

Limited or Absent

Reflects a homogeneous Mediterranean population, lacking racial and ethnic diversity.
Does not include LGBTQ+ identities or non-cisgender narratives.
Contains no representation of characters with physical or neurodivergent disabilities.

Official Synopsis

Distressed that her wayward husband, Gianni (Alberto Lionello), forsakes her favors and seduces a series of other women, drop-dead gorgeous Gioia (Edwige Fenech) turns to handsome lothario Patrizio (Ray Lovelock) to help her get revenge. Will her enthusiastic affair help Gianni see the error of his ways? Luciano Martino directs this saucy comedy that also stars Aldo Maccione, Alvaro Vitali and Olga Bisera.

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