He Even Has Your Eyes
2017
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Diversity score: 5.6 out of 10
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Fakin' Da Funk
1997
RDirector
Timothy A. Chey
Runtime
89 minutes
Average Rating
No ratings yetSynopsis
Chinese kid Julian, who was adopted by the black family of Joe and Annabelle Lee and Asian exchange student May-Ling, who is housed with a black family, are trying to adapt to their mostly black neighbourhood of South Central.
Where to Watch
Diversity & Representation
Overall Score
4.4/10
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or narratives addressing non-cisnormative identities. The story focuses exclusively on racial and familial integration.
Gender Representation
Female characters like Annabelle Lee and May-Ling are present, but their roles appear to follow standard familial structures. There is no evidence of subverting traditional gender archetypes.
Racial & Ethnic Diversity
The narrative centers on cross-racial domesticity, featuring a Chinese child adopted by a Black family. This disrupts homogeneous white domesticity by placing marginalized identities at the core.
Religious & Cultural Diversity
The South Central setting highlights specific urban cultural identities. However, the film lacks explicit commentary on religion or Western institutions, keeping the cultural score moderate.
Disability Representation
There is no mention of characters with visible or invisible disabilities within the narrative.
Strengths
- Strong focus on racial blending and non-Anglo-Saxon centricity.
- Effective disruption of traditional white-centric domestic narratives.
- Places marginalized identities at the center of the story's agency.
Areas for Improvement
- Lack of LGBTQ+ representation or non-cisnormative identities.
- Minimal subversion of traditional gender hierarchies or archetypes.
- Absence of characters representing visible or invisible disabilities.
AI Analysis
Fakin' Da Funk distinguishes itself through its commitment to non-white domesticity. By centering an interracial family structure and an Asian exchange student in a Black neighborhood, the film avoids the white-centric lens common in 1990s comedies. However, the film lacks intersectional depth. It does not explore LGBTQ+ identities or provide significant evidence of gender role subversion, remaining within conventional comedic and familial frameworks. Ultimately, while the film succeeds in racial representation, it lacks the systemic critique or diverse character archetypes required for a higher overall score.
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