
The Good Half
2024

2001
PGDirector
Doug McHenry
Runtime
94 minutes
Average Rating
No ratings yetSynopsis
When her husband keels over from a stroke, Raynelle Slocumb calls the entire clan together to remember their dearly departed. Family tensions reach a comedic boil as the wildly dysfunctional Slocumbs squabble and fight their way to the funeral.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit mention of LGBTQ+ characters or narratives. The story focuses on a family unit following a patriarchal loss, offering no visible non-heteronormative identities.
Gender Representation
Raynelle Slocumb provides central female agency as the protagonist. However, the narrative may rely on traditional domestic archetypes within the dysfunctional family framework.
Racial & Ethnic Diversity
The focus on a specific 'clan' suggests a narrative centered on a distinct ethnic or familial lineage. This provides representation of non-Anglo-Saxon family dynamics.
Religious & Cultural Diversity
The film disrupts the 'perfect family' trope by embracing chaos and dysfunction. However, it appears to rely on traditional communal or religious structures.
Disability Representation
A stroke serves as a plot catalyst rather than a study of disability. No characters are shown possessing agency through a disability lens.
Strengths
Areas for Improvement
AI Analysis
Kingdom Come functions as a character study of communal bonds and familial dysfunction. It centers on a female protagonist navigating grief, which provides a degree of agency within a traditional setting. The film avoids idealized family tropes by highlighting squabbles and tensions. However, it lacks intersectional complexity and does not appear to subvert systemic social norms. While the narrative offers representation through its specific familial focus, it remains rooted in conventional social structures rather than progressive deconstruction.

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