
Je vais mieux
2018

2017
Director
André Pellenz
Runtime
81 minutes
Average Rating
No ratings yetSynopsis
Augusto is the chef of a fine restaurant, established for years, which is down due to the success of a former pupil, Patrick, who works in a food truck right in the square in front of the establishment. . Due to the situation, the bank, which is also a partner in the restaurant, appoints the strict Cristina to be the new manager. She immediately runs into Augusto, as she wants to change the local routine in order to make it profitable. But, amidst the pressure to create a new menu, Augusto starts to have a rare syndrome that makes him lose his taste buds.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film offers no explicit evidence of LGBTQ+ characters or queer subtext. Without visible representation of non-cisnormative identities, the narrative remains neutral on this front.
Gender Representation
Cristina’s role as a strict manager disrupts traditional patriarchal hierarchies in the culinary world. Her presence challenges the established male-dominated routine of the restaurant.
Racial & Ethnic Diversity
There is no information regarding the ethnic composition of the cast. The film lacks specific details to confirm intentional racial diversity or the subversion of cultural norms.
Religious & Cultural Diversity
The story explores the friction between established institutions and modern commerce models like food trucks. It touches on shifting economic power dynamics within a capitalist framework.
Disability Representation
Augusto’s loss of taste buds provides a platform to explore sensory disability. This central plot point engages with how impairment affects professional identity and agency.
Strengths
Areas for Improvement
AI Analysis
Gosto se Discute functions primarily as a character-driven situational comedy centered on professional and sensory conflict. Its diversity is most evident in its exploration of gendered authority and physical impairment. While the film subverts some culinary tropes through Cristina's management style, it lacks depth in other areas. There is no visible engagement with LGBTQ+ identities or specific racial diversity within the provided narrative. Ultimately, the film's strength lies in its focus on disability and economic shifts, though it lacks the intersectional complexity needed for a higher score.

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