
Buying the Cow
2002

1988
RDirector
Richard Martini
Runtime
92 minutes
Average Rating
No ratings yetSynopsis
Aspiring director Eddie moves from the Midwest to Los Angeles, where he rooms with his cousin and attempts to establish himself in advertising — but he doesn't have much luck. Seeking something worthwhile, Eddie decides to shift his focus to looking for love through a video dating service. He goes through one bad date after another, but the only thing he finds interesting about the service is Peggy Kellogg, one of the employees.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on a heteronormative pursuit of romance through a video dating service. There is no evidence of non-cisnormative identities or critiques of traditional dating structures.
Gender Representation
The story centers on a male protagonist's professional and romantic agency. While Peggy Kellogg is a key figure, the film follows a standard 1980s gender hierarchy.
Racial & Ethnic Diversity
The narrative follows a protagonist's move to Los Angeles, but lacks indication of a diverse cast. It appears to be a conventional, likely homogeneous character study.
Religious & Cultural Diversity
Themes align with traditional Western social and capitalist structures. The film reinforces standard social integration rather than challenging existing cultural or institutional norms.
Disability Representation
There are no visible or invisible disabilities mentioned or implied within the character descriptions or the central plot.
Strengths
Areas for Improvement
AI Analysis
You Can't Hurry Love operates strictly within the conventional romantic comedy frameworks of the late 1980s. The narrative architecture prioritizes standard heteronormative and Western social structures, offering little in the way of social subversion. The film lacks intersectional depth, focusing instead on a singular protagonist's journey through advertising and dating. This results in a story that reinforces the era's established cultural hierarchies rather than disrupting them. Ultimately, the film serves as a period-typical character study that avoids exploring diverse identities or non-traditional social perspectives.

2002

2012

1999

2004

2005

1989

1990

2001

2007

2000

2020

1996
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.