Chaise en bascule
1900
No Poster Available
Representation Score
Limited
1903
Runtime
2 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film captures early 20th-century variety entertainment, presenting brief, episodic performances focused on novelty rather than deep narrative or social commentary. While it includes a female performer and an Italian vocalist, these roles remain within traditional boundaries and do not challenge existing social hierarchies.
Category Breakdown
The film showcases a stage performance with a dancer and a vocalist, but there is no visible representation of non-binary gender identities or same-sex relationships.
Miss Dolly Lightfoot exhibits physical skill and plays a significant role in the performance. However, her position remains within traditional gender roles, serving as a spectacle for the audience.
An Italian vocalist adds ethnic diversity to the stage, but her role is limited to a brief, comedic scene where she is targeted with missiles.
The film adheres to traditional variety show formats, relying on well-known comedic formulas without delving into deeper cultural or institutional critiques.
There is no depiction of characters with visible or invisible disabilities in this production.
Present on Screen
Limited or Absent
Official Synopsis
This scene opens with a view of a stage setting and private box. After Miss Dolly Lightfoot has finished a clever dance, a card is placed upon the stage announcing an extra turn. An Italian vocalist appears and starts to sing. He is received with a shower of missiles. (Edison Catalog)
1900

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1899

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1903

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1897
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