
Clan of Amazons
1978

Representation Score
Fair
1972
Director
Chor Yuen
Runtime
101 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This period-specific action film leverages its political undertones rather than focusing on diverse representation. It effectively uses its Shanghai setting to critique colonial power and institutional corruption. However, the film remains limited by the era's standards. Its narrative focus is heavily male-centric, and it lacks representation for LGBTQ+ identities or characters with disabilities. Ultimately, the film's diversity is highlighted by its anti-establishment themes and its portrayal of local resistance against an external occupying force.
Category Breakdown
The film adheres to traditional genre conventions of its time and does not include any LGBTQ+ characters or narratives focused on non-straight relationships.
The story revolves around male characters, both heroes and villains. While the hero's journey challenges some masculine stereotypes, there is a noticeable absence of strong female roles.
Set in 1930s Shanghai, the film critiques the impact of imperialist powers. The protagonist's fight against Japanese forces emphasizes themes of ethnic sovereignty and anti-colonial resistance.
The narrative highlights grassroots justice over corrupt state institutions. It uses a philanthropic thief to prioritize social equity and challenge systemic hierarchies.
The film does not depict or utilize characters with visible or invisible disabilities as part of its storyline.
Present on Screen
Limited or Absent
Official Synopsis
He steals from the rich and gives to the poor! Like Robin Hood, the title hero of The Lizard is a philanthropic thief, except the Lizard makes his rounds in 1930s Shanghai. Corrupt police chief Chen Can (Law Lit) is assigned to bring down the Lizard to appease the sinister Japanese forces, but the Lizard constantly eludes his grasp. Little does Chen Can know that the wily thief actually works for him! The Lizard's true identity is the mousy Cheng Long (Ngok Wah), who dons a mask and takes to the streets to spread his righteous message.

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