
Midsommar
2019

Representation Score
Limited
2016
Director
Nick Jongerius
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film operates as a conventional slasher that prioritizes genre mechanics and suspense over social commentary. It relies heavily on established horror clichés, such as the isolated setting and the mysterious shared secret, which do not provide much room for identity-driven storytelling. While the protagonist provides a central focus, the character dynamics remain within standard horror archetypes. The narrative lacks intentionality regarding queer visibility, racial diversity, or the representation of disability, resulting in a narrow scope of characterization. Ultimately, the work functions as a genre piece rather than a tool for challenging social hierarchies. It focuses on individual survival within a traditional framework, leaving little space for multi-layered or progressive themes.
Category Breakdown
The film follows traditional slasher conventions focused on survival. There is no evidence of non-straight relationships or narratives that critique the assumption that everyone is straight.
Jennifer serves as the central protagonist, yet the film adheres to established horror archetypes. It does not significantly challenge traditional gender roles or hierarchies.
While the Amsterdam setting and tourist group suggest potential for variety, the plot focuses on a shared secret rather than ethnic identity. No non-white characters drive the narrative.
The devil-worshiping miller functions as a standard horror cliché rather than a critique of religious institutions. The story prioritizes visceral tension over ideological exploration.
Characters are defined primarily as victims in a survival scenario. There is no indication of characters with visible or invisible disabilities portrayed with real power.
Present on Screen
Limited or Absent
Official Synopsis
Jennifer, an Australian girl on the run from her past, turns up in Amsterdam and, in a desperate attempt to blend in, joins a coach-load of tourists on a tour of Holland's old windmills. When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where a devil-worshiping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.

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