The film lacks any discernible presence of LGBTQ+ characters or non-cisnormative identities. The narrative focuses strictly on supernatural transformation and comedic conflict.

The story follows a traditional, male-centric structure. A female character serves as a plot device to trigger the hero's agency but lacks nuanced independence.

Despite a setting in China, the film does not explore complex racial dynamics or diverse casting. The location serves as a backdrop for absurdity rather than intersectional exploration.

The protagonist's identity as a priest is treated through a lens of camp. However, the film lacks a concerted critique of Western institutions or organized religion.

There is no evidence of characters with disabilities being portrayed with agency. The dinosaur transformation is a comedic element rather than a nuanced exploration of physical disability.