
The Bull
2019

Representation Score
Limited
2001
Director
Leonid Maryagin
Runtime
103 minutes
Average Rating
No ratings yetNew Showbiz Analysis
101st Kilometer is a period drama centered on the socio-political realities of 1950s Soviet exile. The plot focuses on the tension between criminal syndicates and state security services, emphasizing historical realism over modern identity-driven narratives. Operating within traditional crime and political thriller clichés, the film prioritizes class and political status, lacking the multi-layered approaches found in contemporary progressive cinema. Ultimately, the work serves as a study of social dysfunction and state coercion, rather than a platform for diverse representation.
Category Breakdown
The film does not explore non-binary or transgender identities. Instead, it focuses on survival and traditional dramatic structures.
The story revolves around male-dominated criminal and state security groups, depicting a traditional power struggle without challenging gender roles.
Set in the Soviet Union, the film emphasizes class and political status. It does not show intentional racial or ethnic diversity.
The film examines systemic oppression through a historical perspective. It portrays the Soviet state as a coercive force rather than a benevolent authority.
There are no characters with visible or invisible disabilities. The narrative does not address disability as a plot device or theme.
Present on Screen
Limited or Absent
Official Synopsis
The film is set in the 50s in a town located on the 101st kilometer from Moscow, where in Soviet times were sent from the capital of the unreliable — political and criminal. The hero of the picture Lenka gets into the company of criminals. Local leader Kostya Konovalov offers him to participate in robberies. On the other hand, people from the police and the state security service persuade Lenka to write denunciations…

2019

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1955
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