
The Muckles - The Quest for a New Home
2022

2019
TV-PGDirector
Adam Amiruddin, Syed Nurfaiz Khalid Syed Ibrahim, Ahmad Razuri Roseli
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
This new adventure film tells of the adorable twin brothers Upin and Ipin together with their friends Ehsan, Fizi, Mail, Jarjit, Mei Mei, and Susanti, and their quest to save a fantastical kingdom of Inderaloka from the evil Raja Bersiong. It all begins when Upin, Ipin, and their friends stumble upon a mystical kris that leads them straight into the kingdom. While trying to find their way back home, they are suddenly burdened with the task of restoring the kingdom back to its former glory. With help from Mat Jenin and Belalang, Upin, Ipin and their friends must overcome a series of challenging obstacles in this action-packed, magical and humorous adventure film produced by Les’ Copaque Production Sdn. Bhd
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The story centers on childhood friendships and platonic social dynamics. It avoids rigid heteronormative tropes but does not actively engage with non-cisnormative identities.
Gender Representation
A balanced ensemble cast provides a necessary counterweight to the male protagonists. Characters like Mei Mei and Susanti ensure the group navigates the adventure with collective agency.
Racial & Ethnic Diversity
The film excels by depicting a multi-ethnic social fabric as a baseline of normalcy. Diverse characters collaborate seamlessly toward a singular goal without racial friction.
Religious & Cultural Diversity
The narrative prioritizes regional folklore and local mythology over Western fantasy archetypes. It uses the mystical kris to ground the adventure in indigenous storytelling.
Disability Representation
There is no explicit focus on characters with visible or invisible disabilities. Characters are defined primarily by their roles in the quest and their interpersonal friendships.
Strengths
Areas for Improvement
AI Analysis
Upin & Ipin: The Lone Gibbon Kris succeeds in presenting a pluralistic Southeast Asian society as a natural standard. By utilizing regional folklore and a multi-ethnic ensemble, the film avoids the common pitfalls of Western-centric animation tropes. While the film excels in racial and cultural integration, it remains somewhat traditional in its approach to gender and identity. The narrative focuses on communal adventure rather than exploring specific identity markers or diverse physical abilities. Ultimately, the film offers a rich, culturally specific experience that celebrates multicultural harmony through a lens of local mythology.

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