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One of Those Days

Name: One of Those Days
Director: Bill Plympton
Released: 1988
Duration: 7 min

Representation Score

0.8/10

Minimal

1988

Director

Bill Plympton

Runtime

7 minutes

Average Rating

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New Showbiz Analysis

Bill Plympton’s surrealist animation focuses on a singular protagonist navigating a series of escalating, slapstick misfortunes. The film prioritizes physical comedy and dream-like logic over complex interpersonal dynamics or social commentary. Because the narrative is built around a character's unlucky day, it lacks the demographic breadth and character depth necessary for meaningful characters who reflect more than one aspect of diversity. The work operates within the narrow constraints of individual-centric, situational humor. Ultimately, the film functions as a surrealist comedy piece rather than a vehicle for exploring diverse identities or systemic social structures.

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Category Breakdown

Does One of Those Days have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or narratives. It focuses solely on the protagonist's personal misfortunes.

How does One of Those Days portray gender?

Limited

The story centers on a male protagonist experiencing slapstick chaos. Although he avoids traditional heroic masculinity, there is no clear evidence of intentional gender deconstruction.

How racially and ethnically diverse is One of Those Days?

Minimal

The synopsis does not provide information about the racial or ethnic composition of the characters. The focus remains strictly on situational comedy.

How does One of Those Days represent religion and culture?

Fair

The film offers a minor critique of domestic stability through its chaotic, nihilistic tone. However, it lacks explicit systemic or institutional critiques.

Does One of Those Days include disability representation?

Minimal

There is no evidence of characters with disabilities being portrayed with ability to act. The protagonist's struggles stem from external accidents rather than lived disability experiences.

Present on Screen

Plympton's idiosyncratic, surrealist style subverts traditional narrative structures.
The film effectively uses slapstick to depart from traditional heroic masculinity.

Limited or Absent

The film lacks demographic breadth and characters who reflect more than one aspect of diversity.
The narrative focus is too narrow to explore complex social or systemic critiques.

Official Synopsis

A day in the life of the world's unluckiest guy. Starting the morning off with a shaving nick from hell, he endures fires, mad dogs, rampaging vacuum cleaners, horny neighbors, kids with ray guns and, of course, a steam-roller.

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