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The Falling

Name: The Falling
Director: Raul Sanchez Inglis
Released: 1998
Duration: 94 min

Representation Score

5.2/10

Fair

1998

Director

Raul Sanchez Inglis

Runtime

94 minutes

Average Rating

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New Showbiz Analysis

The Falling is a psychological study that emphasizes narrative complexity over direct social commentary. Its strength lies in challenging traditional storytelling structures, which questions the viewer's ability to categorize characters into simple moral categories. While the film doesn't deeply explore identity politics, its structure supports a subjective understanding of truth. It effectively dismantles established norms through its unique storytelling approach. Ultimately, the film serves more as an exploration of perspective than a tool for social critique, resulting in a moderate diversity profile.

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Category Breakdown

Does The Falling have LGBTQ+ representation?

Fair

The film focuses on a heterosexual relationship between Karis and Lars. There are no LGBTQ+ characters or stories that question the assumption that everyone is straight.

How does The Falling portray gender?

Fair

The story challenges traditional gender roles by using unreliable narration to question the 'protective male' versus 'vulnerable female' stereotype. However, it still features a violent police officer character.

How racially and ethnically diverse is The Falling?

Fair

The cast includes Rob Lee, adding some racial diversity to the main storyline. However, the story remains primarily focused on white characters and relationships.

How does The Falling represent religion and culture?

Good

The film presents three conflicting viewpoints, questioning the idea of heroes and villains. This approach aligns with postmodern values that emphasize situational truth.

Does The Falling include disability representation?

Minimal

There are no characters with visible or invisible disabilities mentioned in the narrative.

Present on Screen

The use of shifting perspectives challenges traditional gender stereotypes and the 'vulnerable female' archetype.
The narrative structure promotes moral relativism by rejecting a single, objective truth.
The inclusion of Rob Lee adds moderate racial diversity to the main storyline.

Limited or Absent

The film lacks LGBTQ+ representation or stories that question the assumption that everyone is straight.
The story remains primarily focused on white characters and relationships.
There are no characters with visible or invisible disabilities.

Official Synopsis

Karis (Nicole Oliver) is a clothing store owner who picks up a handsome music executive, Lars (Christopher Shyer), in a bar and immediately engages him in some very hot sex that leads to an ongoing physical relationship. One morning Lars encounters Morgan (Rob Lee) in Karis' kitchen; Morgan is her future ex-husband and a policeman with a violent temper who begins a campaign of intimidation to make Lars stop seeing Karis. But wait: 30 minutes into the movie the point-of-view changes to Morgan's, and we see he's not such a bad guy after all and that Lars is the hot-tempered villain. But wait: 30 minutes later the point of view switches to Karis, and it turns out that she hasn't been completely honest about things. Whose story is the real one?

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