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The End of Man

Name: The End of Man
Director: José Mojica Marins
Released: 1971
Duration: 79 min

Representation Score

5.6/10

Fair

1971

Director

José Mojica Marins

Runtime

79 minutes

Average Rating

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New Showbiz Analysis

The film stands out by using surreal and mythic elements to challenge established religious and social hierarchies. It moves away from traditional Western dogma to explore subjective morality. However, the work lacks specific data regarding identity-based representation. There is no clear evidence of LGBTQ+ characters or characters with disabilities, and women's ability to drive the story remains unexplored in the narrative overview. Ultimately, the film's strength lies in its ability to deconstruct institutional authority through its unique Brazilian cinematic lens, even if it does not focus on specific demographic diversity.

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Category Breakdown

Does The End of Man have LGBTQ+ representation?

Fair

The film does not include explicit LGBTQ+ characters or non-cisgender identities. Its focus is on spiritual and existential themes rather than romantic arcs based on identity.

How does The End of Man portray gender?

Fair

The story revolves around a single, mythic male figure. While the roles of women are not detailed, the messiah archetype may challenge traditional patriarchal structures.

How racially and ethnically diverse is The End of Man?

Fair

As a Brazilian production, the film operates outside Anglo-Saxon traditions. The setting implies a departure from the homogeneous casts typical of Hollywood productions of this era.

How does The End of Man represent religion and culture?

Excellent

The film prioritizes mythic spirituality over organized religion. By featuring a naked stranger performing miracles, it critiques the sanctity of traditional religious decorum and institutions.

Does The End of Man include disability representation?

Minimal

There is no evidence to suggest the presence of characters with visible or invisible disabilities.

Present on Screen

Strong cultural disruption of traditional Western religious and social hierarchies.
Provides a non-Western perspective by operating outside the Anglo-Saxon cinematic tradition.
Uses mythic and surrealist elements to critique established power structures.

Limited or Absent

Lacks explicit representation of LGBTQ+ identities or romantic arcs.
Provides no evidence of characters with visible or invisible disabilities.
The central focus on a male messiah limits the visibility of women's ability to drive the story.

Official Synopsis

A naked stranger emerges from the sea to perform miracles in a nearby town and become a modern messiah whose deeds will affect the whole world.

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