
To the Left of the Father
2001

Representation Score
Fair
1987
Director
Giorgos Katakouzinos
Runtime
107 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Absences is a psychological drama that deconstructs the traditional bourgeois family. It provides a sharp critique of patriarchal authority and the moral decay within isolated domestic hierarchies. The film's strength lies in its portrayal of women navigating power vacuums. It uses its period setting to challenge the sanctity of the nuclear family. However, the film remains limited by its lack of diverse representation. The narrative is ethnically uniform and lacks explicit LGBTQ+ identities.
Category Breakdown
The film examines the breakdown of traditional families and unconventional domestic settings. However, it does not include explicit LGBTQ+ identities, focusing instead on the breaking of family boundaries through incest.
The story centers on the actions of three sisters as they navigate a patriarchal void. Eleni challenges traditional femininity by taking charge, while Maria defies conventional domestic roles through her rebellion.
Set in early 20th-century Greece, the story focuses on a particular upper-class family. The characters' backgrounds seem ethnically uniform, reflecting the historical context.
The film criticizes traditional Western and Christian institutions by depicting the family as a place of corruption. It portrays patriarchal structures as oppressive and authoritarian.
There are no characters with visible or invisible disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
A family story of incest, decadence and desolation. Greece, early twentieth century. A bourgeois family is on the verge of breaking up. The mother has abandoned the family, and the father, a retired officer, keeps his three daughters, as well as the illegitimate son of the oldest daughter, confined in the house. After his death, the three sisters live through their personal drama. The eldest, Eleni, imbued with the morals of the time and closely identifying with her father, tries to take his place. The middle one, Maria, representing rebellion, goes off with a captain of the sanitation service, while the youngest, Anna, skating on thin ice through all this, is completely destroyed.

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