
O Trapalhão nas Minas do Rei Salomão
1977

1966
GDirector
Byron Paul
Runtime
113 minutes
Average Rating
No ratings yetSynopsis
Lt. Robin Crusoe is a navy pilot who bails out of his plane after engine trouble. He reaches a deserted island paradise where he builds a house and begins to adjust to life. He is in for trouble however when a local girl is banished to the island by her father, who then comes after Crusoe.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a traditional adventure trajectory centered on survival and heteronormative interactions. It lacks any representation of non-cisnormative gender identities or narratives that challenge standard social frameworks.
Gender Representation
The story utilizes a male-centric survivalist framework. While a local girl is introduced, she serves primarily as a plot catalyst rather than an independent agent of social subversion.
Racial & Ethnic Diversity
The setting relies on Western-centric perspectives of discovery and encounter. While a local inhabitant is present, the film lacks high-agency characters or deep intersectional representation.
Religious & Cultural Diversity
The narrative reinforces traditional Western values of resilience and civilization. It emphasizes individual survival and the establishment of order without offering secularist or anti-Western critiques.
Disability Representation
There are no prominent depictions of visible or invisible disabilities. Characters are defined by the physical capabilities required for survivalist adventure.
Strengths
Areas for Improvement
AI Analysis
Lt. Robin Crusoe U.S.N. is a quintessential mid-century adventure that prioritizes escapism and conventional heroism. The narrative structure is built around traditional masculine leadership and the trope of the civilized individual navigating the wild. The film's inclusion is minimal, relying on a single local character to provide a sense of non-homogenous casting. However, this character lacks the agency needed to disrupt the film's established social hierarchies or colonial-era perspectives. Ultimately, the movie functions as a product of its time, adhering to established studio-era storytelling that favors Western-centric values and heteronormative social frameworks.

1977

1975

1964

1976

1962

1985
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.