The film lacks LGBTQ+ characters or non-heteronormative romantic arcs. The narrative adheres to a traditional heteronormative framework centered on the Driver and Irene.

Irene is granted significant emotional agency, providing a nuanced departure from standard action-thriller hierarchies. The film passes the Bechdel test through interactions between Irene and her mother.

The cast is predominantly white, reflecting a homogeneous social circle in Los Angeles. The story focuses on socioeconomic isolation rather than multicultural or intersectional dynamics.

The film explores moral relativism by framing the protagonist's violence as personal loyalty. It lacks an explicit systemic critique, focusing instead on individual survival.

There are no prominent depictions of visible or invisible disabilities. No characters with neurodivergence or chronic illness are featured in the primary arcs.