
Oblivion Verses
2018

Representation Score
Good
2019
Director
Mohsen Amiryoussefi
Runtime
88 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Lovely Trash is a sophisticated work of magical realism that turns the domestic sphere into a site of political resistance. By centering on a woman managing the belongings of a persecuted family, the film explores the intersection of personal memory and systemic oppression. The film's strength lies in its ability to challenge state-sanctioned narratives through a non-Western lens. It uses fantasy elements to navigate complex sociopolitical landscapes, making the personal feel profoundly political. While the film excels in cultural critique and gendered ability to act, it lacks visible representation for LGBTQ+ identities or disability. The narrative remains focused on the specific historical and familial trauma of the Iranian political context.
Category Breakdown
The film focuses on familial and political trauma without featuring LGBTQ+ characters or critiquing the assumption that everyone is straight or cisgender.
An elderly woman serves as the main character, playing a significant role in driving the story. She manages a high-stakes domestic conflict, disrupting typical male-centric war stories.
As an Iranian production, the film offers a vital non-Western perspective. It centers on specific national identities navigating internal political upheaval, providing a counter-narrative to Western-centric depictions.
The narrative uses magical realism to critique state authority and institutional oppression. It highlights the human cost of political instability by focusing on the subjective experience of political victimhood.
The film provides no information regarding the portrayal of physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Following protests to the presidential election in 2009, an elderly woman has one night to clear her house of any politically troublesome belongings of her family. To help her out; her deceased husband, her executed brother and two martyred and immigrated sons are back to life in their picture frames.

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