
Pretending I'm a Superman: The Tony Hawk Video Game Story
2020

2015
Director
Richard Goldgewicht
Runtime
94 minutes
Average Rating
No ratings yetSynopsis
A feature documentary on the history of video games. From 'Pong', 'Pac Man' and 'Mario' to 'Call of Duty', 'Grand Theft Auto' and everything in between it tells the story of how this industry was created, by whom and where it is headed.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The documentary focuses on technological milestones and commercial evolution. It lacks explicit narratives regarding non-cisnormative identities or critiques of heteronormativity within the gaming industry.
Gender Representation
The narrative centers on the industry's growth but lacks evidence of highlighting female innovators. It does not appear to subvert traditional masculine leadership roles in tech.
Racial & Ethnic Diversity
The film tracks global expansion but primarily centers on Western and Japanese development hubs. It prioritizes dominant commercial history over intersectional racial agency.
Religious & Cultural Diversity
The film examines gaming's impact on global culture through a celebratory lens. It functions as an observational chronicle of industry success rather than a critique of institutions.
Disability Representation
There is no evidence that the documentary explores neurodivergence or physical disabilities. It also lacks focus on accessibility in gaming design.
Strengths
Areas for Improvement
AI Analysis
Gameplay serves as a foundational historical survey of the video game industry, tracing its evolution from arcade pioneers to modern blockbusters. The narrative architecture prioritizes chronological clarity and technological milestones over the deconstruction of social hierarchies. While the film provides essential context for the medium's evolution, it lacks intentional intersectional representation. The focus remains on industry mechanics and commercial success rather than identity-driven storytelling or systemic critique. Ultimately, the documentary functions as a standard journalistic record of a technological era, leaving significant gaps in the representation of marginalized identities and social subversion.

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