You are here:

Godzilla Raids Again

Name: Godzilla Raids Again
Director: Motoyoshi Oda
Released: 1955
Duration: 82 min

Representation Score

1.0/10

Minimal

1955

Approved

Director

Motoyoshi Oda

Runtime

82 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Godzilla Raids Again is a foundational genre film that emphasizes spectacle and institutional response to disaster. It operates within the strict hierarchies of the 1950s, highlighting masculine leadership and state-led efforts to address catastrophic events. The film offers a culturally specific Japanese perspective but does not challenge traditional ethnic or gender norms. Its narrative structure is centered around a male-dominated hierarchy of pilots, scientists, and officers, leaving little room for diverse or multi-layered perspectives. Ultimately, the film serves as a historical document of post-war genre storytelling, emphasizing the preservation of social order and technical expertise over exploration of identity or social progress.

Watch this, not that →

Category Breakdown

Does Godzilla Raids Again have LGBTQ+ representation?

Minimal

The film does not depict any non-binary gender identities or same-sex relationships. There is no representation of LGBTQ+ characters or themes.

How does Godzilla Raids Again portray gender?

Limited

The story is driven by male characters in military and scientific roles. Female characters have minimal influence and play a minor role in the narrative.

How racially and ethnically diverse is Godzilla Raids Again?

Limited

The cast is made up of actors from similar ethnic backgrounds, reflecting the demographics of 1955 Japan. There is no diversity in casting or characters representing different backgrounds.

How does Godzilla Raids Again represent religion and culture?

Limited

The story focuses on maintaining social order and national survival against biological threats. It supports traditional values and does not promote alternative political or secular views.

Does Godzilla Raids Again include disability representation?

Minimal

The film does not include any characters with physical disabilities or neurodivergent traits. Characters are defined by their roles in the military or scientific fields.

Present on Screen

Provides a culturally specific Japanese perspective on national crisis.
Focuses on mid-century institutional and military responses to existential threats.

Limited or Absent

Lacks meaningful female involvement or influence in the narrative.
Features an ethnically homogeneous cast with no diverse character dynamics.
Does not represent LGBTQ+ identities or neurodivergent individuals.

Official Synopsis

Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.

How are these scores produced? →