
Two Kinds of Schemes
1989

Representation Score
Minimal
1988
Director
Ismael Rodríguez
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This comedy relies heavily on traditional social hierarchies and regressive archetypes. The central plot revolves around a misogynistic man's pursuit of married women, establishing a framework of objectification rather than character development. While the film reflects the Mexican cinematic context, it lacks intentionality regarding multi-layered complexity. Characters primarily serve as vehicles for clichés involving material interest and gendered power dynamics. Ultimately, the work adheres to established genre conventions, offering little disruption to conventional social norms or progressive representation.
Category Breakdown
The film focuses solely on heterosexual and cisgender relationships, with no representation of LGBTQ+ identities or critiques of traditional sexual norms.
The movie reinforces harmful gender hierarchies through a misogynistic male protagonist who objectifies women. Female characters mainly serve as objects of desire or participants in transactions related to inheritance.
The cast reflects the regional demographic of Mexico, but there is no indication of diverse ethnic identities or multi-layered casting beyond the typical cultural context.
The plot operates within traditional social morality centered on greed and infidelity, using inheritance and marital status as key elements without challenging established social or family institutions.
The film does not include any characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Rich and misogynistic Fabián is determined to seduce married women, whom he literally undresses with his eyes due to a strange obsession. He also receives an inheritance from an aunt and announces that he will give part of it to his three cousins when they become widows. They harass him out of interest and he becomes Virginia's lover, and harasses Maura, who rejects him.

1989

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