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The Two Faces of Evil

Name: The Two Faces of Evil
Director: Alan Gibson
Released: 1980
Duration: 52 min

Representation Score

0.9/10

Minimal

1980

TV-14

Director

Alan Gibson

Runtime

52 minutes

Average Rating

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New Showbiz Analysis

The Two Faces of Evil blends Western and horror genres while adhering to traditional storytelling conventions. The narrative structure emphasizes conventional demographics and power dynamics without challenging them. Although the film introduces morally ambiguous characters and corrupt authorities, it maintains a traditional perspective on identity. The focus remains on established genre archetypes rather than exploring diverse representations.

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Category Breakdown

Does The Two Faces of Evil have LGBTQ+ representation?

Minimal

The film does not include any characters with non-binary or transgender identities. It focuses on straight relationships without addressing any LGBTQ+ themes.

How does The Two Faces of Evil portray gender?

Limited

Male characters dominate the story, making decisions and taking action. Female characters are often passive and play supporting roles, lacking autonomy.

How racially and ethnically diverse is The Two Faces of Evil?

Minimal

The cast is predominantly white, reflecting a narrow range of ethnic backgrounds. There is no representation of diverse ethnicities in key roles.

How does The Two Faces of Evil represent religion and culture?

Fair

The film examines moral ambiguity through its portrayal of outlaws and mercenaries. It depicts a world where authority figures are often corrupt or nonexistent.

Does The Two Faces of Evil include disability representation?

Minimal

The film does not address any disabilities, visible or invisible. Characters are shown as physically capable without any mention of limitations.

Present on Screen

The film explores moral ambiguity through its main characters.
It portrays a world where authority is often corrupt or absent.

Limited or Absent

The film lacks meaningful representation of LGBTQ+ identities.
Female characters lack ability to act and fail to meet the Bechdel test.
The cast lacks racial and ethnic diversity, remaining largely homogeneous.
There is no narrative engagement with disability or neurodivergence.

Official Synopsis

A family on holiday stop to pick up a mysterious hitch-hiker. Originally an episode of British horror anthology TV series, Hammer House of Horror, that later received a feature release in the United States.

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