
News from Planet Mars
2016

2020
Director
Gustave Kervern, Benoît Delépine
Runtime
110 minutes
Average Rating
No ratings yetSynopsis
In a provincial suburb, three neighbours come to terms with the consequences of the new world of social media. Marie, who lives off her husband’s family allowance, is afraid of losing her son’s respect because of a sex tape. Bertrand can’t say no to advertising calls and is fighting to protect his daughter, who is being bullied online. Christine, after losing everything because of her addiction to TV series, wonders why her rating as an Uber driver is not taking off. These three lone fighters are incapable of finding a solution to their problems on their own — until they join forces to declare war on the tech giants.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks prominent LGBTQ+ identities or explicit same-sex intimacy. The narrative focuses on broader social alienation rather than specific queer identities or non-cisnormative expressions.
Gender Representation
Female characters are portrayed with a raw, unpolished agency that resists idealized femininity. However, the narrative architecture limits a deep dive into specific gender-based power dynamics.
Racial & Ethnic Diversity
The setting appears to be a largely homogeneous provincial French suburb. The story prioritizes socioeconomic class over racial or ethnic plurality.
Religious & Cultural Diversity
The film offers a robust critique of modern Western institutions and digital surveillance. It frames the protagonists' rebellion as a necessary resistance against a corrupt, consumerist system.
Disability Representation
Characters navigate struggles like digital addiction and the psychological toll of bullying. They are depicted as active fighters rather than objects of pity.
Strengths
Areas for Improvement
AI Analysis
Delete History is a systemic critique that prioritizes socioeconomic disenfranchisement over demographic breadth. It succeeds as a postmodern rebellion against digital capitalism, framing the struggle of marginalized individuals against tech giants as a legitimate form of social resistance. While the film lacks significant representation in terms of LGBTQ+ or racial diversity, it excels in its cultural commentary. It deconstructs the individual as a product of surveillance and challenges the hegemony of modern Western social structures. The film functions less as a study of identity politics and more as an exploration of those living on the fringes of the digital era.

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