The film lacks any identifiable LGBTQ+ characters or non-cisnormative identities. The social framework remains strictly heteronormative, focusing on traditional gendered dynamics within the explorer group.

Female characters are denied agency and instead serve as subjects of physical and sexualized peril. They are frequently positioned in submissive or victimized roles to catalyze the plot's violence.

While featuring a non-white indigenous cast, the film employs a colonial gaze. Indigenous populations are framed through tropes of savagery and threat rather than through character agency.

The narrative presents a breakdown of Western morality through survivalist nihilism. It lacks a sophisticated deconstruction of hegemony, offering instead a chaotic environment of extreme violence.

There is no meaningful depiction of visible or invisible disabilities. Physical trauma is used strictly as a tool for visceral horror and shock value.