
Maxie
1985

Representation Score
Minimal
1982
PGDirector
Robert Mulligan
Runtime
101 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Kiss Me Goodbye is primarily a psychological character study centered on obsession and the breaking down of social norms. While it delves into complex human desires, the narrative stays within a narrow, mid-century domestic framework. The film's impact on diverse representation is limited due to its homogeneous setting and traditional perspective. It emphasizes individual psychological struggles over broader representation or systemic critiques. Overall, the work lacks the broad demographic range and intentional complexity needed for a progressive score, focusing instead on a localized social landscape.
Category Breakdown
The film does not include any LGBTQ+ characters or stories about non-straight identities. The main conflict focuses on a traditional relationship without any queer undertones.
The story challenges traditional motherhood roles by focusing on an unusual attraction. However, this deviation is portrayed through psychological obsession rather than a broader critique of gender roles.
Set in a mid-century American suburb, the film shows a uniform white community. There is no multicultural casting or diverse ethnic representation.
The narrative mildly questions traditional authority and parental oversight. It focuses more on psychological isolation than on critiquing Western institutions.
The film does not feature any characters with visible or invisible disabilities. Neurodivergence is not used as a central theme.
Present on Screen
Limited or Absent
Official Synopsis
Not until three years after the death of her husband Jolly, Kay dares to move back into their former home, persuaded by her new fiancée Rupert. But soon her worst expectations come true, when not only her old memories haunt her, but also Jolly's ghost, who doesn't approve of her new mate. Invisible to anyone but Kay, he tries to prevent the wedding.

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