The film operates within standard supernatural horror constraints. There is no evidence of non-cisnormative identities or narratives that critique heteronormativity.

The ensemble follows conventional survival tropes common to the genre. While female protagonists appear in high-stress roles, the film does not actively subvert traditional gender hierarchies.

The commercial flight setting allows for a diverse passenger manifest. However, there is no indication of a non-white majority or high-agency characters of color.

The conflict centers on demonic occurrences and traditional religious frameworks. The narrative avoids secularism or critiques of Western institutions in favor of visceral horror.

No characters with visible or invisible disabilities are portrayed with agency. Vulnerabilities may be used as plot devices to drive tension rather than nuanced representation.