The film lacks explicit depictions of same-sex intimacy or non-cisnormative identities. The protagonist's romantic connection is framed through a traditional lens. There is no evidence of queer identities or critiques of heteronormativity.

The story centers on a male-dominated environment of gladiators. Female characters, such as the prostitute, appear to follow traditional cinematic tropes. There is little evidence of women exercising high agency or subverting masculine leadership.

The narrative provides no mention of a diverse or non-white cast. The focus remains on biological traits and the mechanics of the Arena. No specific ethnic composition is established.

The film offers a strong critique of Western institutional structures and capitalism. It portrays a commercial sports channel as an arbiter of life and death. This highlights themes of systemic oppression and dehumanization.

The 'aggression gene' serves as a metaphor for neurodivergence or mental health struggles. However, it is unclear if these characters possess true agency. The condition may simply function as a plot device.