
Small Potatoes: Who Killed the USFL?
2009

Representation Score
Minimal
2017
TV-GDirector
Charlie Ebersol
Runtime
77 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This documentary serves as a historical business retrospective rather than a vehicle for social exploration. It prioritizes the mechanics of industry and commercial failure over identity-driven storytelling. The narrative is centered around the personalities of male leaders and the logistics of a failed professional venture. Consequently, the film reinforces traditional hierarchies of power. While the subject matter involves professional sports, the lens remains fixed on corporate competition and entrepreneurial ambition rather than diverse social perspectives.
Category Breakdown
The documentary focuses on the world of professional football and sports marketing, which is traditionally associated with masculinity. There are no narratives exploring non-straight identities or critiques of the assumption that everyone is straight or cisgender.
The story mainly revolves around male executives such as Ebersol and McMahon, emphasizing their roles in driving the narrative. This focus reinforces traditional male-dominated corporate hierarchies.
While the league likely includes diverse athletes, the narrative emphasizes the roles of white corporate leaders in making decisions about the league’s structure and operations.
The film examines Western capitalist structures and frames the XFL as an entrepreneurial experiment. It does not provide a deeper critique of these structures from a cultural or religious perspective.
There is no mention of subjects representing visible or invisible disabilities within the provided context.
Present on Screen
Limited or Absent
Official Synopsis
A bold challenge, a fearless experiment and ultimately, a spectacular failure. In 2001, sports entertainment titans Ebersol and McMahon launched the XFL. It was hardly the first time a league had tried to compete with the NFL, but the brash audacity of the bid, combined with the personalities and charisma of Ebersol and McMahon and the marketing behemoths of their respective companies -- NBC and WWE -- captured headlines and a sense of undeniable anticipation about what was to come.

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